Book q&as with deborah kalb: q&a with ian hamilton

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Book q&as with deborah kalb: q&a with ian hamilton

Post a Comment. Ann E. Burg is the author of the new children's historical novel Unboundwhich focuses on a community of people fleeing slavery, known as maroons, who escaped to the Great Dismal Swamp, located in Virginia and North Carolina. She lives in Rhinebeck, New York. Q: How did you come up with the idea for your main character Grace, and how did you first learn about the history of the Great Dismal Swamp? Sayers, a professor at American University, who has been leading research teams in the Great Dismal Swamp since That was my first encounter with the maroons.

The idea that an artifact can help us determine what someone ate, how they clothed themselves, or built their homes fascinates me. But it can never tell the whole story.

Away from my computer and books, I began to wonder about the people. This connection is always the next step. My imagination stretches across time and place and begins to stitch together vague shadows.

There is always more research to be done, but once a character begins to speak, I listen and start writing. From that point on, my characters become as real to me as my neighbors and friends. What were some of the things you learned that particularly surprised you about the runaways in the Great Dismal Swamp? A: I think the very existence of the maroon community in the Great Dismal Swamp surprised me the most. I continue to be amazed by the courage and ingenuity of the individuals who forged their freedom there.

Sylviane A. Diouf fact-checked Unbound and hope my book will shed light on this rich history for young readers and lead them to learn more about the maroons. What do you think this format contributes to the narrative? A: Verse allows a character to tell her story in her own words without any third party interference. When I write in verse, I become totally immersed in my character's world.

Hopefully, this allows my readers a more direct connection to a character's thoughts and feelings. A: Unless I am writing for the very young child where rhythm dictates words, my writing process is pretty much the same. Each story begins with the discovery of something I hadn't known or contemplated. I research, take notes, and let thoughts and feelings simmer together until the thread of a story and a possible character emerge. Eventually, if it is a story worth telling, that character startles me out of my imaginings with a distinct and insistent voice.

That's when I begin to write. A targeted age group or word count isn't really something I think about until after my first draft. Then I rely on my editor to determine what readers might be most interested in what I've written.

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I can tell you that for the past few weeks I've been researching the history of ship scrapping A: Just that I am grateful for the opportunity to share my thoughts with your readers!Post a Comment. Elliott is the author of the new young adult historical novel Hamilton and Peggy!

She lives in Virginia. Q: Why did you decide to focus on Peggy Schuyler, the sister-in-law of Alexander Hamilton, in your new book? My first quick-hit bit of research revealed family lore that Peggy dashed into the fray of an attempted kidnapping of her father by a band of 20 Loyalists and British soldiers.

With that, I knew I had a pretty darn bodacious protagonist. Now the only problem was: I had 10 months, no more, to research and write her story in order to catch the Hamilton wave. Peggy left behind next-to-no letters of her own. A lot. Vanessa appears in an obscure Jonathan Swift poem. Peggy clearly persisted. Their back-to-back births clearly made the three girls playfellows and a tight-knit trio.

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The novel became a really interesting mixture of a civilians-caught-in-war action novel, for which I am mostly known, with a Jane Austen-style parlor drama of a devoted sisterhood banding together against the rogues of the world. Often Peggy was left behind in Albany when the two older sisters went off for romantic adventure. She was the primary caretaker of the family. Her younger siblings were constantly left in her care.

Her mother Catharine survived 12 pregnancies, including 1 set of twins and another of tripletsand raised eight children to adulthood.

From age 21 to 47, Catharine was either pregnant or caring for newborns. Peggy seems to have been her main help. Two of the six tribes allied with the patriots, largely because of Schuyler and his life-long relationship with them.

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Schuyler is such an under-recognized founding father. And it was the Battle of Saratoga that finally convinced the French to join our cause and send troops. Peggy was witness to all of that.Post a Comment. He has worked as a journalist for a variety of publications, including Maclean's and Boston Magazine. He also has been a businessman and a government executive, and he lives in Burlington, Ontario, Canada. A: Ava came to me spontaneously.

There was no list of names, and no boxes that I ticked. She was just there fully-formed in my head.

book q&as with deborah kalb: q&a with ian hamilton

I was only a few days out of hospital after a major surgery, and still on heavy medication, when I started to write without any outline, and only the vaguest notion of a plot.

But I was channeling her like mad, marrying the idea of a Chinese-Canadian debt-collector to the knowledge and experience I'd accumulated doing business in Asia over a year span. I was half-way through that first book when an idea came to me for a second, and I started it the same day I finished the first. I was half-way through the second when ideas came to me for a third and a fourth. So I kept writing. I wrote the first four books in the series in eight months.

She was 35 and partnered with an year old Hong Konger named Uncle in the first book.

book q&as with deborah kalb: q&a with ian hamilton

Over the course of the series, her life changes substantially. She starts a new profession. Major characters die; new ones emerge. People who were enemies become friends. There are five or six major supporting characters in the books, and as many as 15 minor but recurring characters.

As the series progressed, I was determined not to simply write the same book over and over again.

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I wanted to keep it fresh and changing, and perhaps even more importantly, I wanted to her life to grow and expand. A: When I sat down to write it was with the intention of proving to myself that I could write one book. That was my sole objective. I had no thought of a series. I didn't even consider the possibility that I could be published. Everything that's happened since is almost unbelievable.Goodreads helps you keep track of books you want to read.

Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Edinburgh Midnight by Carole Lawrence.

Superstition and murder haunt nineteenth-century Scotland in a twisting mystery by the prize-winning author of Edinburgh Twilight and Edinburgh Dusk. But for Ian, indulging Superstition and murder haunt nineteenth-century Scotland in a twisting mystery by the prize-winning author of Edinburgh Twilight and Edinburgh Dusk.

But for Ian, indulging her superstitions has its limits. With the help of his friend Arthur Conan Doyle, Ian investigates, and he is soon drawn into a dark world of believers and tricksters, and a puzzling series of murders with no pattern, no motive, and no end in sight. As two cases converge, science collides with the uncanny, and Ian must confront truths that are more disturbing than he could ever have imagined.

Get A Copy. Kindle Edition.

book q&as with deborah kalb: q&a with ian hamilton

More Details Ian Hamilton Mysteries 3. Other Editions 4. Friend Reviews.Post a Comment. She lives in Knoxville, Tennessee. Q: Do you see any particular themes that run through the stories in your collection? A: Yes, I see several recurring themes—of the importance of family and family history. Also there are themes of loss and resilience.

Two stories touch on struggles with faith. Snow is in many stories. There are also a number of turns—turns of fortune, or people actually turning around and gaining new perspective. Q: Over how long a period did you write these stories, and how did you choose the order in which they would appear in the book? A: I started writing these stories in and finished the last one in Some stories I worked on for years, on but mostly off, when work and family allowed, but most were written between InI started sending one story out for publication consideration.

I took the rest out industed them off and tweaked them, and started sending them out to literary journals and magazines. In the end, though, I wanted to end on a hopeful note and so switched the last two.

Q: How was the collection's title chosen, and what does it signify for you? A: The title was chosen quickly! I flipped through the collection, looking for sentence fragments, chose four or five, and sent them to my publisher.

He chose, and I agreed. I also had some family weigh in, but we all agreed with the publisher.

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Three of the stories in my collection are part of this novel.Good questions! I read this book and really liked it. It was both a moving memoir and a detective story.

Very interesting. I have my late father's memoir of his family's life in Poland before the war; his struggle to survive; and his post war lives in Israel and Nebraska. Having a website to tie everything together is a really great idea! Lea Karpman, 2nd Gen. It focuses on her great-grandfather, the artist Moshe Rynecki. She also is working on a documentary film on the same subject. She is based in Oakland, California.

Q: You write, "In I built a website dedicated to sharing my great-grandfather's art. His thinking was this: we have the art in our home, very few people see it every year, and putting it online would make it more accessible to people around the world. In retrospect, it was a pretty novel idea. It was hugely serendipitous; as people saw the site, they started contacting me and telling me about paintings they had or had seen.

Several years later, as YouTube started to become a household name, making a video for our website seemed like a good idea. I sought advice from some documentary filmmakers that I knew because our sons went to the same preschool.

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That turned out to be excellent advice! The footage was used to create an initial nine-minute trailer for the film project, a proof-of-concept piece I used to gain c 3 non-profit status with the National Center for Jewish Film, and used to generate early funding for the film. The idea for the book came about because raising money for the documentary proved far more difficult than I ever imagined. I wanted to capture those moments and connections before they were gone.

But from where I stand, the two will always be inseparable. Filming informed my writing and as I worked through my emotions and perspectives on the written page I began to realize what was important to capture in filmic moments.

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They really are companion pieces. Q: How did you research the book, and what surprised you most in the course of your research? A: I wish I could say I went to the library, checked out an enormous stack of books, read, and then sat down to write.

It really was never that simple. My research journey took well over a decade of meandering, collecting fragments, and finally having enough pieces to weave it all together.Post a Comment. Q: Why did you decide to write Senior Momentsand how would you describe your response to the aging process? A: I did not decide to write a book called Senior Moments.

I was writing various essays, which were published in literary quarterlies. Each was an individual foray. I added to them. As the whole was being licked into shape, I realized that it constituted a memoir of sorts. Those are the main strands of both my life and my book. How do I respond to the aging process? What choices does anyone have?

One accepts it. A: I write that my earliest memories are all engaged with language, which became see above a leitmotif in my own life.

Listening, talking, reading, and writing: I was a phonophiliac did I just invent that word?

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As one ages, one becomes as grateful for moments of silence, or at least quiet, as for the stimulation provided by words. One accepts the wisdom embodied in silence. Language can do only so much. Q: You write, "Of one's plans and aspirations, one begins to eliminate items from the lists one made in youth.

L.M. Elliott

And any place where one has friends is worthy of a visit. I have also eliminated the possibility of becoming completely fluent in other languages, having to content myself with half-hearted, enthusiastic forays into schoolboy French, Italian, and German. I visited Greece. The great Edith Hamilton had to wait until she was 90 to go to Athens.


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